Saturday, October 3, 2020

Treatment of The Coalwood Rocket Boys: A Proposed TV Series

Note: This is a recent pitch or treatment of a proposed television series based on The Coalwood Way, the "equal" to my original memoir Rocket Boys/October Sky

THE COALWOOD ROCKET BOYS

 

The Television Series

BASED ON A TRUE STORY

 

 

            A television series is proposed based on the New York Times best-selling book THE COALWOOD WAY (Delacorte Press; First Edition edition (October 10, 2000), ISBN-10: 0385335164, ISBN-13: 978-0385335164) and the short stories of Homer Hickam about his days as a Coalwood Rocket Boy.

 

            The series is set in Coalwood, West Virginia, a miner's town built to fit within a narrow valley surrounded by high, heavily forested ridges.  Every house, fence, road, store, and church is owned by the coal company.  Every man works for the mine.  All the women who live in the town, except teachers, are wives of the coal miners.  All the kids are the children of these coal mining families.

 

            The episodes begin in the fall of 1958, a time of harsh economic recession for the coalfields of West Virginia, and the beginning of the space age in the outside world.  Each show will draw from the rich lode of stories about the strong, proud, and rambunctious people of Coalwood struggling with the realization that their little town may be dying, and that their children are being torn between following the old life of their parents or choosing what appears to be a bright new future in the outside world.  Across generational lines, a town begins to fight a war over its children, and a mother and father enter into a kind of bloodless combat over the fate of their sons.

 

            Because of its unique setting, The Coalwood Rocket Boys will break new ground and will attract young and mature viewers alike, the shows spotlighting adults and teen-agers in turn.  There are also many possibilities for comedic episodes, the book often cited for its ability to make the reader laugh and cry, sometimes on the same page.

 

            From his room, teenager Homer H. (Sonny) Hickam, Jr., the main character (and often the narrator) can see the coal mine tipple, the black steel tower that lowers and lifts the miners' cage.  The town is governed by the rhythms of the shifts at the mine.  Sonny Hickam is a Coalwood boy, destined, it seems, to eventually join the miners digging coal until he decides to build rockets and someday go to work for NASA.  He recruits his friends to join him in what he calls the Big Creek Missile Agency (named after Big Creek High School).  Now, suddenly, Sonny and his friends, Quentin, Roy Lee, and O'Dell begin to look in an entirely different direction from their fathers -- up.  Their determinedly optimistic plan to build rockets is set against a town beset with economic problems.  Quentin is the prototypical nerd, Roy Lee is the most mature of the boy (he has a car and a girl friend!), and O'Dell is the scrounger of rocket supplies, always with a scheme.

 

            The book, the inspiration for the episodes, has tales of not only rocket-building, but of loves won and lost, of family struggles between father, mother, sons, and daughters coping with great change, of high-spirited school classes and dances, of dealing with teenage bullies, of hard-working men in the mine, of gossip, of church-going, of preachers and prostitutes, of grand drama across a little town fighting a losing battle to survive.

 

            Besides Sonny Hickam and the Rocket Boys, the main characters include:

 

            Homer Hickam, Sr., Sonny's father and the superintendent of the coal mines in Coalwood.  Self-educated and well-read but lacking the formal engineering education usually required for the job, he devotes all of his energies to keeping the mines productive for its owners and safe for the men who work inside.  Homer is tough and disciplined and the heart of the little town.  He is certain about every thing he does and thinks, including the probability that his dreamer second son, Sonny, is never going to amount to much.  He dotes on Jim, his football star son because Homer once wanted to be a football star, too.  Despite his hard manner, he has a softer, gentler side to him, especially for his wife, Elsie.  We also see him grow to have a new respect for Sonny as the rockets of the Big Creek Missile Agency get more and more sophisticated and start to reach for extreme altitudes.

 

            Elsie Hickam, Sonny's mom and Homer's wife, an independent woman ahead of her time and the only person in the town who can stand up to her husband.  Despite her independence, Elsie Hickam leads a lonely life with a man whose first love is the coal mines.  She is also determined that her sons will not follow in her husband's footsteps into the mine.  She is seen over the years painting a scene on the wall of her kitchen, a picture of a beach where she hopes someday to live.

 

            Jim Hickam, Sonny's brother, a handsome, girl-crazy high school football star struggling with his own sense of inadequacy by pretending bravado that often isn't there as he contemplates having to compete in the outside world and dreams of a football scholarship.  He is outwardly disdainful of his younger brother but is mostly bemused by Sonny's energetic optimism.

 

            Valentine Carmina, a gorgeous, sensual young woman who is nearly always in trouble with the high school principal and the managers of the coal mine.  Sonny is attracted to her although she is from one of the poorest families in Coalwood and is not considered his social equal.  Valentine returns Sonny's interest but doesn't share his dreams of space.  She has her eye on escaping Coalwood and its restrictive ways by becoming an actress.  She organizes a local theater group but runs into opposition from the coal company and the company church.

 

            Jake Mosby, a young mining engineer, an outsider sent by the company owners to Coalwood for "seasoning."  Jake is a great lady's man, owns a bright red Corvette, is a Korean War veteran (flew jets), drinks a little too much, and represents to the boys the wonderful outside world.  Always a little in trouble with the coal company, he is somewhat inept as an engineer but is socially smooth, adored by the all the women in town (some mother him, others lust after him), Jake provides a kind of touchstone for the outside world for Sonny and the boys, often giving bad advice but coming through in the end to resolve problems both for himself and others in Coalwood.

 

            Freida Riley, a twenty-one year old, bright and beautiful high school chemistry and physics teacher, who acts as the boys' mentor.  She has Hodgkin's disease in remission.  She and Jake Mosby have something going on between them, off and on.  Besides trying to help the boys in a somewhat repressive school environment, she also has to cope with an almost assured death sentence from her insidious cancer.

 

            The Reverend "Little" Richard, the black preacher in town who provides wit and wisdom to Sonny.  Richard always has a Bible quote, story, or parable handy to guide the young man along the way.  Richard must also act as the representative of the black community to the company.  Black men work side by side with whites in the mine.  All are black when they come out of the mine.  All consider themselves proud Coalwood citizens.  Yet, black housing is in a separate part of town, thus artificially dividing the people.

 

            Lesser characters include, Reverend Lanier, the white preacher in town, Mr. Dantzler, the company store manager, Mr. Turner, the high school principal, Geneva Eggers, the town prostitute (she lives in a cabin high on a mountain), John Eye, the town bootlegger, Bill Bolt, the machinist who helps build the rockets for the boys, Tag Farmer, the town constable, and Mr. Dubonnet, the union chief (and a high school boyfriend of Elsie Hickam).

 

            And so the drama for the series is established.  As the Rocket Boys build their rockets, the town is changing, the people worried, the mine struggling.  Yet these are a proud people who will work to keep their little town intact.

 

Some suggested episodes:

 

(1)  Cape Coalwood:  The boys' rocket range is an old coal slack dump three miles out of town.  Elsie visits it during a rocket launch and discovers Coalwood citizens want to watch the boys launch their rockets but are hampered by the rutted, dirt road to "Cape Coalwood."  She begins to use her time-tested ways to harass her husband into doing what she wants him to do and that, for the Rocket Boys, is to improve the road.  She has the preacher preach a sermon about it, she "forgets" to cook supper, she takes Chipper, her pet squirrel (who Homer hates) to sleep on her pillow, and paints Homer out of the kitchen mural of Myrtle Beach.  A secondary story has Sonny and Roy Lee trying to help Valentine stage her play.  Since no one will allow her to have it either at a school or the church, she has decided to have it outdoors.  For that she needs a place.  Why not Cape Coalwood?

 

(2)  The Strike:  The miners go out on strike.  Sonny ends up being in the middle of everything when he convinces Bill Bolt to sneak in at night to help build his rockets.  Homer is proud of Sonny's initiative but must punish him and Bill, making the strike even more bitter.  Elsie confronts Homer when the other wives stop talking to her and Sonny's classmates shun him because of who his father is.  Mr. Dubonnet offers to end the strike for Elsie.  Elsie is torn between two men, her husband who she loves, and Dubonnet who she once loved.  Sonny must go to his father and take responsibility for the trouble.  Little Richard counsels Sonny to have courage like Dan'l in the lion's den.  A secondary story has Freida Riley and Jake Mosby confronting the fact that Jake isn't mature enough to stop his womanizing and commit to Freida.  Freida knows that she has a harsh choice:  accept Jake for what he is and continue to love him, or walk away.

 

(3)  The Woman's Club:  Elsie demands that the railroad tracks be removed from Coalwood after she observes the coal dust from the open cars covering a new-born baby.  She organizes the coal company woman's club to lead a protest.  Sonny accidentally gets trapped in a coal car, taking a dangerous ride.  This not only gets Sonny in big trouble with his father but also gives Elsie and the woman's club fresh reason to have the tracks removed.  A secondary story involves brother Jim and a girl friend who, desperate to escape her family, wants to get married.  Hoping to get pregnant, she tries to seduce him.  Jim is tempted but hesitates.  Valentine tells Sonny of the girl's plan.  Jim refuses to believe Sonny's warning.  Sonny goes to Reverend Richard with Jim's problem.  He tells him the story of Samson and Delilah and Sonny sets out to convince Jim that the girl will sap his strength before the big game, thus ruining any hope he may have for a football scholarship.

 

(4)  The Truth of Miss Geneva:  Geneva Eggers, the town prostitute, becomes the target of Reverend Lanier who is trying to increase church attendance.  Homer (Dad) saved Geneva as a child from a burning house and has secretly protected her ever since.  He must somehow continue to protect her while keeping the church-goers happy.  Sonny is seen sneaking into Geneva's house.  He's there to ask her to let him put up a wind gauge on her cabin so he can judge the wind velocity before his rocket launches but everybody jumps to the wrong conclusion, including Elsie.  A secondary story has Reverend Richard and Reverend Lanier arguing conflicting philosophies.  Reverend Richard challenges Reverend Lanier to trade churches for one Sunday to see who's the better preacher.  Richard's style is singing and boisterous preaching.  Reverend Lanier is a much more intellectual approach.  The two congregations confront the two different styles with humorous results.

 

(5)  Jake's Mind:  A miner is killed in the mine and everybody believes that Jake Mosby's sloppy engineering caused it, including Jake.  Freida defends Jake, even to himself.  Homer (Dad) investigates.  Jake helps Sonny and the boys with their rockets, trying to remember why he ever became an engineer in the first place.  A secondary story has Valentine sent home from school for wearing, as Mr. Turner calls them, "Jezebel" clothes.  When she discovers that Valentine has never been properly taught about clothes (she has been raised by her widower father), Elsie decides to take the girl shopping in Welch, the county seat.

 

(6)  Superstition:  Miss Riley receives no new lab equipment in her classroom.  She resolves to teach the boys chemistry and physics by demonstration in the real world.  She asks Homer (Dad) to take her class into the coal mine.  He is appalled.  It's bad luck for women and girls to go in the mine.  Still, he's tempted.  He wants Sonny to someday be an engineer in the mine.  John Dubonnet, the union chief, talks to Elsie, making Homer jealous.  Homer resolves to do what the union is against:  agreeing to Miss Riley's request.  The whole town is in turmoil as a result and it is up to Elsie and Sonny to figure out a way of getting Homer (Dad) out of the mess.  A secondary story involves Sonny and the boys deciding to use a potentially dangerous new propellant.  Quentin and Sonny begin a series of experiments in the basement, resulting in blowing up the Hickams' hot water heater.  Now, they have to replace it, somehow.  O'Dell proposes selling ginseng but first they have to find some and dig it up.  It turns out the best crop is on Geneva Eggers' property, a place the boys have been ordered to never go.

 

(7)  Tropic of Coalwood:  A copy of Tropic of Cancer is found in Quentin's briefcase.  In an attempt to get the boy too worn out to think about sex, Quentin, the prototypical nerd, is ordered by Mr. Turner to join the football team.  All the rocket boys join with him with predictable and hilarious results.  In a moment of insanity, the rocket boys tell the Big Creek "front four" that the cheerleaders would rather go with them to the Prom than the players.  A bet is made.  Now, the rocket boys have to figure out how to get the cheerleaders on their side!  They begin a fumbling, bumbling attempt to woo the more experienced and cagey girls to go with them.  Valentine takes Sonny aside and explains girls to him.  She takes it as a personal crusade to get Sonny a date with the head cheerleader.  A secondary story has Elsie thinking about her high school days when she was Dubonnet's girl friend and Homer (Dad), somewhat of a nerd himself, was trying to win her over.

 

(8)  Is that Rocket Fuel or What?:  Homer orders Tag, the constable, to close down John Eye, the bootlegger, after catching one of his miners with moonshine down in the mine.  The trouble is John Eye provides the boys their rocket fuel - pure alcohol!  His place is also one of the social centers in town.  Tag lays it on Sonny - he's going to shut down John Eye unless Sonny can somehow convince his father otherwise.  Sonny goes to Reverend Richard who goes to Homer and reminds him that John Eye is protected by a promise made my Homer's mentor, The Captain, just before he died.  Seems John Eye saved The Captain's life.  Homer is caught between his order and The Captain's old promise.  He struggles for a compromise.

 

(9)  Beware yon Dubonnet, with the lean and hungry look:    Valentine puts on another stage production, a revised version of Julius Caesar, which makes fun of the coal company, the football team, the union, and even the woman's club (Elsie is president).  Not only is that going to cause trouble all by itself, Sonny wrote it!  After the show, he is in serious trouble with just about everybody in town.  He decides to concentrate on rockets, not writing, but Freida Riley urges him to keep going on both.  A secondary story has Mr. Dantzler, the company store manager, trying to sell television sets in a town set a valley too deep to receive TV signals.  Quentin comes up with a plan to establish a cable system by erecting an antenna on a high mountain.  The best place for the antenna is Geneva Eggers' property, owned by her and not the coal company.  The company tries to make a land grab.

Monday, June 22, 2020

The Dinosaur Wars and Understanding Cause and Effect


            I've always been interested in cause and effect in my writing and life in general. For instance, during my years of hunting dinosaurs, I noticed a competition between American paleontologists that seemed pretty intense and wondered what caused it. After all, I'm not a professional bone-hunter in any sense, only a fellow who likes to dream about the past and the future, and is willing to get my hands dirty to get involved. After doing my due diligent research, I began to understand that paleontologists are competitive for the reasons most of us are. They need funding to do what they do, they want to influence others to think the way they do about their field of study, and they simply want to be appreciated for the hard work they accomplish in difficult conditions. But I think this competition may also be an echo of the so-called dinosaur wars in the American west in the late nineteenth century. That was when Dr. Edward Drinker Cope and Dr. Othneil Marsh, two of the most famous and influential dinosaur hunters of that age, started an unofficial war. But, as often happens in research, my study of that war led me in an unexpected direction, to unravel another war that was happening at the same time. This war marked the end of a way of life for tens of thousands of indigenous people, the Sioux, the Blackfeet, the Crow, and several other smaller tribes known in general as the Plains Indians.
            Ironically, people from Europe were responsible for first creating and then destroying the civilization that took root in the plains of the American West. The Spanish inadvertently began the formation of this society by introducing horses to the Americas. When some of the horses escaped and made their way north from Mexico, various groups of indigenous natives, then hunter/gatherers and farmers, began to make use of them by following on horseback the vast buffalo herds that were then roaming central North America. This new ability to keep up with the herds provided enough consistent food and materials to support increasing numbers of people that ultimately formed into communities we now call tribes. Before long, these tribes formed a unique civilization of mobile and competing groups that depended on the ready availability of the American bison on a sea of grass with no obvious borders. These requirements were so precise and critical that any interference from the outside had a good chance of causing the entire civilization to come crashing down and that's what ultimately happened.
            After the Civil War, there came to the western plains an assortment of men from the east, not a few of them hooligans of the worst stripe with a familiarity with guns and a disposition to use them. The railroads were happy to hire them to lay their tracks across the plains and to bully anyone who got in their way which definitely included the odd nomadic people they encountered. From the perspective of these rough men, the Plains Indians were people who wandered aimlessly and mostly got in the way. From the perspective of the tribal leaders and young warriors, their lands were being invaded by gangsters who were inclined to indiscriminately kill the buffalo, steal their women, disrespect their leaders, and damage their way of life. Alcohol, vast quantities of which was brought in and made readily available to hooligans and warriors alike, didn't help. Bullets and arrows started to fly.
            Behind the first bands of lawless adventurers came men with families who had no wish to fight with anybody. They only wanted to build homes, string fences, raise cattle, and put the land under the plow. Their efforts, seemingly benign, proved to be far worse for the Indians than the hooligans. Barbed wire kept the buffalo herds from moving on to fresh grass and caused the animals to go hungry. The introduction of cattle brought disease. Starving and sick buffalo equaled starving and sick tribespeople who, in reprisal, stole from the farmers and ranchers or attacked their settlements. Reluctantly responding after repeated demands from the settlers for help, the federal government finally dispatched the army to keep the peace. Army generals without any specific orders except stop the turmoil surveyed the situation and decided what needed to be done to get control of the situation was force the various tribes into small, isolated areas, wipe out the buffalo herds, and put the warriors afoot by taking away their horses. Before long, the battles and massacres known as the Indian Wars began and raged across the places where, coincidentally, amazing dinosaur bones were just being found.
            At first, it was the adventurers looking to make some easy saloon money who packed up old bones and shipped them east for anybody who would pay for them. Without knowledge of what they were doing, most of these samples arrived in poor condition but they were enough to intrigue both government and private scientific and educational establishments as to the potential of making some exciting and important discoveries. Heedless of the battles being waged between the Army and the tribes, they dispatched scientists with teams of men to secure the bone beds and dig up the best ones they could find.
            Among the bone-hunters heading to the plains was a young and wealthy paleontologist, the aforementioned Edward Drinker Cope. Cope was brilliant but unendowed with virtually anything in the way of social graces. He was slovenly, dominated every conversation without letting anyone get in a word, and seemed to lack the slightest ability to relate to another human being. Ostensibly representing the United States Geological Survey but accompanied by his own hired men who quickly learned he was in no way their friend but their boss, Cope roamed across the western battlefields passing without care or comment wandering bands of stunned and hungry tribespeople, huge mounds of rotting buffalo carcasses left by buffalo hunters or felled by disease, and a reckless United States Cavalry galloping around and chasing any Indians they saw.
            Cope's collecting in the Bridger Basin of Wyoming brought him into contact with another paleontologist, one Dr. Othneil Marsh of Yale University who considered that area his own private hunting ground. Marsh was an arrogant skinflint who often forgot to pay the salaries of his assistants and had the reputation of taking credit for discoveries made by others. To Marsh, Cope was an arrogant upstart and, after they met and Cope did not give Marsh his due deference, which was actually impossible considering the kind of man he was, their private war began.
            To marginalize Cope who did not have as much money or backing, Marsh flooded the bone hunting grounds with squads of diggers and collectors who filled hundreds of freight cars with bones that were shipped to New Haven for his exclusive study. He also traveled to the West to see things for himself. As if in a self-contained protective bubble, Marsh ignored the running battles replete with tootling bugles and war cries and wailing women and crying children and went wherever he pleased. His crews dug huge quarries that turned into mud holes where buffalo, deer, and elk got stuck and drowned, and dynamited sites coveted by the tribes for their seasonal villages. The Indians simply had no idea what to make of either Cope or Marsh except they were both probably crazy and bad luck to kill so they left them alone.
            While the bloody battles (which included Custer's Last Stand) continued between the cavalrymen and warriors, Cope and Marsh kept fighting their private war. When their men encountered each other in saloons, they fought with bare knuckles. In the field, they took pot shots at each other. When they got the opportunity, they jumped the others' claims and even dynamited the others' digs. On the academic front, the two paleontologists named new dinosaur species willy-nilly often based on the smallest of fragments, and generally did their best to discredit one another. In the process, Cope and Marsh caused not only damage to Cretaceous and Jurassic fossil beds but dinosaur science itself by creating a tortured mess of overlapping and, in some cases, nonexistent species that would take decades for modern paleontologists to unravel which still hasn’t completely been accomplished if it ever will.
            Eventually, karmic forces being what they are, Cope would die alone in a house filled with old bones while Marsh, broke and bitter, would pass on a couple of years later. Unfortunately, although they were gone, their battles had set the example amongst American fossil-hunters as to who named what, who was most deserving of grants, and also who among them would rise to the top of the paleontology heap. Although not as intense, this competition continues to this day.
          To be a good novelist or memoirist, a writer much try to understand everything that causes people to do what they do, where their influences come from, and the spirits that flit around them, mostly unseen but surely felt. Those writers who don't peel back life to understand what's underneath it, or research the connections between their characters and the past of the places where they live, tend to write stories that readers sense are missing something.
           When I decided to write a novel about modern paleontology, the result was my book titled The Dinosaur Hunter.  In that story of intrigue and murder, the paleontologist that shows up on a remote Montana ranch looking for bones was undoubtedly influenced by the history of Cope and Marsh, a history that I left out of the novel since there was no place for it. Still, I knew about it and it changed the way I saw that fellow and wrote about him and what he did which I think made him feel more real to my readers. Hemingway was a proponent of this, by the way, in that he said (and I'm paraphrasing) it isn't necessary to include everything you know in a story because the reader will sense that you know it. The land itself, a harsh, remote place that holds the tough remnant of the people who followed the gunslingers, also holds the ghosts of the nomadic tribes of lost dreams and crushed souls. Such is history, such is life, such are the connections between us all for good or bad that the writer must strive to discover.

Wednesday, June 10, 2020

How I Became A Dinosaur Hunter

Little Sonny Hickam (him being me as a boy), about the time
 he started sifting through Coalwood's fossils

           When I was a boy in the little mining town of Coalwood, West Virginia, I became aware of a huge dump of rejected coal that was also the repository of vast quantities of fossils. Fascinated and mystified, I often went there to peel away slabs of coal to reveal strange, tropical plants. Coalwood was a place where there were heavy snows in the winter so that didn't make a lot of sense. It was as if these remnants were from a different world and, in a way, they were.
            The era that produced the fossils inside the coal that my boyhood hands opened like pages of an ancient book was called the Carboniferous Period, a weird but extremely productive time for life on Earth. Because the world was warmer and wetter and its atmosphere contained much more carbon dioxide than today, our planet was essentially a greenhouse where plants grew without restraint. This went on for about six hundred thousand centuries until plants completely engulfed what was then a single continent we now refer to as Pangea. From space, had there been anyone up there to observe our world, it would have looked like a huge bright green lily pad floating on a dazzling blue sea, an ocean that was filled to the brim with creatures from single cells to complex organisms, most of them feeding on the detritus washed into it from the overgrown land.


Carboniferous Era - Hot, muggy, lots of oxygen and carbon dioxide
to help plants grow and ready, given 300 million years or so, to turn itself into coal

           So much carbon was ingested by the plants that flooded across the planet, the percentage of oxygen in the atmosphere rose to almost twice what it is today. The fires caused by lightning must have been spectacular. Eventually, huge mats of dead plants and ashes clogged all the major waterways. This phenomenon created vast deserts which caused the extinction of many species of reptiles, amphibians, fish, and insects. It was a great incongruity. An overabundance of life made remorseless death spread across the Earth. It also eventually created the layers of coal that lay in thick seams beneath my home town.
            As my boyhood self pondered the impressions of these old plants, I often wondered if I would find a dinosaur. Later in my education, I would learn that the Carboniferous age occurred well before they existed but the old dump had still started something in my head, an interest in all that had come before and how life had changed over time. After I became a scuba diver, this curiosity led me to explore caverns in Florida where I'd been told bones from extinct cave bears existed and, in a deep dive down a funnel of rock, I found a complete skeleton. When I ventured off to Honduras to map the reefs on the "lost" island of Guanaja, I climbed into its mountainous terrain and found pottery shards and decorative items created by the Payan people (akin to the Maya). These discoveries, along with books about ages past, somewhat satisfied my itch to understand prehistory but I never forgot about those days when I sat on a coal dump and wished I could find a dinosaur.

This book changed the way millions looked at dinosaurs AND Paleontology

            When the novel Jurassic Park was published, like millions of other readers, I devoured Michael Crichton's story. Although it was an obviously fictional tale, it included information about the new science behind dinosaurs that theorized they were much more active and a lot different than we had been led to believe. After the movie came out and I saw the actor-paleontologists digging them up, I started thinking again how amazing it would be to find a dinosaur fossil although I had no real idea how to do it and, my writing career just taking off, was too busy to take the time to find out. It was just something I'd always kind of wanted to do but probably never would.


Me reading Jurassic Park. Oh, wait, that's Elon reading my
novel The Dinosaur Hunter. Never mind...
           Enter the force I think of as Kismet, the strange and curious destiny that seems to control my life. To my way of thinking, this ancient proposition is something greater than having a predetermined fate. It is a power outside of ourselves that somehow recognizes that which we need and opens a path that we may choose to follow or not. If chosen, it allows a life to not just be led but savored. The trick, however, is recognizing Kismet when it arrives and then having the will to follow it along passages that may not be easy and may, in fact, be very hard. Such was the path that opened for me to become a dinosaur hunter.
            My connection to the film Jurassic Park was that it happened to star Laura Dern who played the part of a paleontologist. A few years later, Ms. Dern also played my teacher Miss Riley in October Sky, the film based on my memoir Rocket Boys. When she and I attended the Venice Film Festival for the showing of October Sky, we talked mostly about Jurassic Park. She told me she loved working on the movie but confessed she hadn't actually visited a real dinosaur dig and didn't recall meeting any real dinosaur hunters or paleontologists. She couldn't help me find a dinosaur fossil but she said, "You know what, Homer, I bet you'll find one if that's what you want to do. Don't ask me how I know, I just do."

October Sky movie poster - That's
Laura Dern on the right. On the left is
that other guy as older Sonny (Homer) when he no longer played on a coal dump

to look for fossils but launched rockets, instead
            And so it was because of Laura Dern in association with that Kismet thing that found me and my wife Linda one bright California morning sitting in the kitchen of Joe Johnston, the director of October Sky who, in a lull in the conversation, said to me, "Homer, I was talking to Laura Dern the other day and she said she thought you might be interested in what I've been doing."
            Joe left the kitchen and soon returned with a cigar box filled with rough yellowish fragments, the biggest of which was perhaps only several inches wide. "Dinosaur bones," he said and went on to explain that he'd picked them up while scouting locations for his next movie which was to be the third in the Jurassic Park series titled, appropriately enough, Jurassic Park III.


Dinosaur bone chips called "Float" like Joe Johnston showed me
           At the sight of the dusty bone chunks within the cigar box, I found myself unaccountably thrilled. "Where did you find these?" I asked, taking the box from Joe.
            "Montana," Joe said and reached to take the bones back.
            I pulled the box away and my interrogation continued. "Where in Montana?"
            "Well, we start in Bozeman but you probably don't know where that is."
            "Oh, but I do!" It was even the truth. My wife Linda and I had friends in Bozeman, a fine couple named Frank and Naomi Stewart. We regularly visited them every winter to go skiing. All of a sudden, I was that boy sitting on a coal dump peeling open slabs of coal looking for dinosaurs. "Joe, the next time you go out there, can I go with you?"
            Joe smiled. "Sorry, Homer. We're done scouting."
            I couldn't let it go. "If you'll tell me where you were," I proposed, "maybe I could go there and look around?"
            "You can't just pick up dinosaur bones,” Joe explained. He was now frowning. “You have to go with somebody who knows what he's doing."
            "Who did you go with?" I asked.
            "Dr. Horner is his name," Joe answered, "but he doesn't let just anybody go out with him. I only got to go because we hired him to be an advisor on our movie."
            The bones in the box had cast a spell over me. "But if you asked him,” I pressed, “do you think he'd let me go with him?"
            This time, Joe managed to wrest the box out of my hands and carried it back from whence it came. While he was out of the room, Linda brought up some facts for my due consideration. "Homer, you can't go to Montana. You've got speeches scheduled nearly every week for the rest of the year and have you forgotten your book deadline?"
            I hadn't forgotten. After all, I was already on chapter two and I had months (well, ok, one) to get it done but I could already feel that I not only wanted to but needed to take that Coalwood boy I once was and find, as I always wanted to do whether I knew it or not, dinosaur bones in Montana.
            When Joe returned, I kept pressing him until he said that maybe he could find out if I could go with Dr. Horner at some unspecified time in the undetermined future. Recognizing that was as far as he was willing to go, I finally fell silent about the matter and our visit was done. On the way to the airport, I reflected that maybe I was just being silly. What was the big deal about finding dinosaurs, anyway? When we got home, I got back to working on the book manuscript but, when I looked up from my computer or was out running, I still couldn’t shake the idea of going out to Montana and looking for ancient bones. To that end, I kept sending Joe occasional emails, asking him to please ask Dr. Horner on my behalf. He never answered until, to my astonishment, he surprised me with a call. Dr. Horner had given me permission to visit his summer camp near Fort Peck Reservoir in northeast Montana.
            My response, after a thank you, was, "How about Frank?"
            "Who?"
            "Frank Stewart, my buddy in Bozeman."
            "Just you, Homer," he said and, after claiming he was busy which might have even been true, Joe Johnston hung up.
            I sat back in my chair and gave it some thought.  After a few moments of mental gymnastics, I decided surely it would be OK to bring Frank along. If there was any objection, I could explain him away as my driver or something. A preacher back in Coalwood used to say, "When a door closes, the good Lord will open another one."  My mom used to add, "If that doesn't work, Sonny boy, knock out a window and crawl through it."


The Dino Boys Caricature by
the great Don Howard

Frank and Homer - Dino Hunters

        Since I was my mother's son, I subsequently dialed Frank's number.  "Would you like to go with me to hunt dinosaurs?" I asked as soon as he picked up.
            "Sure," Frank said, and then, after a pause, "What was the question again?"
            And that's pretty much how Frank Stewart and I became true dinosaur hunters and also when I began my somewhat obsessive quest to find for myself not only dinosaur bones but, at the behest of one of the greatest paleontologists of them all, the remains of a young version of that ancient and entirely glorious but ultimately tragic creature known formally and majestically as Tyrannosaurus rex.
The Day I found my little T


Monday, January 27, 2020

My Markup of Title II, Subtitle A, of HR 5666


My Markup of HR 5666*

* I focused entirely on Title II. I did not mention Mars because I think without building a permanently crewed Lunar Outpost that then becomes an anchor for gathering Lunar resources to provide wealth and security to the people who pay the bills - your poor working stiffs aka the American taxpayers -  NASA will never send people to Mars because there would be a tax revolt. Once the Lunar Outposts are built and we are a true spacefaring nation where everybody is getting something out of it, the Mars crowd can then write their own damn HR's.

TITLE II—HUMAN SPACE EXPLORATION AND OPERATIONS
Subtitle A—Permanently Crewed Lunar Outpost Program SEC. 201. SUSTAINABLE HUMAN EXPLORATION PROGRAM.
It is the sense of Congress that the Nation’s human exploration program is an important element of United States leadership in space exploration, economic strength, and national security. It is the further sense of Congress that constancy of purpose and the sustainability of the Nation’s human exploration goals and objectives should be an inherent principle of a long-term human presence on the lunar surface that spans several Congresses and Administrations and provides for development of the moon, henceforth described as Luna in this document, for the economic benefit, security, and general welfare of the American people and the world at large.
VerDate Mar 15 2010 15:26 Jan 22, 2020 Jkt 000000 PO 00000 Frm 00009 Fmt 6652 Sfmt 6201 C:\USERS\JWGROSS\APPDATA\ROAMING\SOFTQUAD\XMETAL\7.0\GEN\C\NASA_AUTH
SEC. 202. GOALS AND OBJECTIVES.
(a) IN GENERAL.—The Administrator is authorized under sections 20302 and 70504 of title 51, United States Code, and shall carry out plans and programs to achieve sustainable human presence on the surface of Luna.
(b) ESTABLISHMENT.—The goal of NASA’s Permanently Crewed Lunar Outpost program shall be to land humans on Luna, first in 2024 by any means necessary, and next establish one or more sustainable permanently crewed outposts on the Lunar surface by 2030.
(c) PRECURSOR ACTIVITIES.—The Administrator, as he may deem necessary, shall undertake precursor crewed and robotic missions to cis-lunar space and the lunar surface to determine the most efficient and safe methods of constructing permanently crewed lunar outposts.
(d) OBJECTIVES.—The objective of our human missions to Luna will be, by 2030, to construct one or more permanently crewed lunar outposts as anchors to support commercial, scientific, and academic organizations intent on acquiring the resources & knowledge of the moon for the economic benefit, security, & general welfare of American citizens and, by extension, the citizens of the world. These outposts will provide, for a negotiated fee, the necessary living areas, sustenance, and hangar space required for such organizations to outfit and prepare themselves for their various missions, both scientific and commercial. As listed in Section 203 (g) below, International partners will be fully welcomed.


SEC. 203. STRUCTURE OF PERMANENT LUNAR OUTPOST PROGRAM.

(a) Permanently Crewed Lunar Outpost OFFICE.—The Administrator shall establish a Permanently Crewed Lunar Outpost Office within 60 days of the enactment of this Act to lead and manage the Permanently Crewed Lunar Outpost program.
(b) PROGRAM DIRECTOR.—The Administrator shall appoint a Program Director of the Office established in subsection (a) who shall report to the Associate Administrator and the Associate Administrator of the Human Exploration and Operations Mission Directorate.
(c) RESPONSIBILITIES.—The Permanently Crewed Lunar Outpost Program Office shall be responsible for developing—

            (1) a schedule of flights and demonstrations on the Lunar surface that would support and lead to a permanently crewed lunar outpost by 2030
            (2) inviting all interested academic, scientific, commercial, and International partners that may want to join our effort and determining the organization and investments that would result.
VerDate Mar 15 2010 15:26 Jan 22, 2020 Jkt 000000 PO 00000 Frm 00011 Fmt 6652 Sfmt 6201 C:\USERS\JWGROSS\APPD            (d) SYSTEMS ENGINEERING AND INTEGRATION.—

The Director of the Permanently Crewed Lunar Outpost Program shall appoint a Systems Engineering and Integration Manager to manage the systems engineering and integration activities of the program.

(e) SPECIAL HIRING AUTHORITIES.—The Administrator shall propose to Congress any special hiring authorities that the Administrator determines are needed to ensure that personnel with the requisite skills and experience are available to the Program Office.

(f) PROGRAM ELEMENTS.—The Permanently Crewed Lunar Outpost Program shall determine the best technical methodology for reaching the primary goal as listed in Sec. 202 Para. (d) above. It will keep the President, Congress, and the National Space Council fully apprised as to its progress toward the goal of establishing one or more fully operational Permanently Crewed Lunar Outposts by 2030. Progress reports will include:

            (1) Within 30 days of the enactment of this act, the administrator will order an independent agency, with experience in spaceflight, finance, and statistical analysis, to determine if its present plans to land Americans on Luna by 2024 is feasible and, if not, to present an alternate plan.

            (2) Within 120 days of the enactment of this act, the administrator will, in consultation with academic, government, scientific, and commercial entities, produce a report that lays out how one or more Permanent Lunar Outposts can be constructed for the purpose listed previously, and an annual outlay of funds required to implement this plan through 2030. This will include all robotic and crewed flights necessary as precursors to the beginning of actual construction of the permanently crewed Lunar Outpost. This report will first be presented to the National Space Council which will then, if deemed appropriate, present the findings to the Congress and seek the necessary funds necessary to construct one of more permanently crewed Lunar Outposts for the purposes set above. This will be in the form of a National Goal that lays out the economic, security, and overall benefits of building permanently crewed Lunar Outposts that will accrue to the American people and, by extension, the people of the world

(g) INTERNATIONAL COLLABORATION.—

         (1) IN GENERAL.—The Administrator shall lead and encourage to the maximum extent practicable international partner participation in the implementation of the elements of constructing permanent;y crewed Lunar Outposts.  If the National Space Council deems it necessary due to the overall interest of multiple International plus scientific, commercial and academic entities who wish to join this enterprise, it may choose to establish a Lunar Outpost Consortium of which NASA would be the American representative. Such a consortium would be required ultimately to become self-financing.

         (2) CONGRESSIONAL AUTHORIZATION.—NASA shall seek Congressional authorization prior to finalizing any exploration architecture that depends on international or commercial partnerships for overall mission success as well as the creation of the consortium mentioned above.

(h) Center Assignments Within NASA—

            (1) As a general principle, the NASA Administrator shall choose, with the concurrence of the National Space Council, the responsibilities of the centers and offices under his authority for the various phases of the Permanently Crewed Lunar Outpost Program.

            (2) The NASA Administrator will have the further authority, with the concurrence of the National Space Council, to modify or change the assigned responsibilities of the centers and offices under his authority for the Permanently Crewed Lunar Outpost Program if he deems necessary for the purpose of improved management, budgetary concerns, or other changing conditions.